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Estetika - Levchuk L. T.

NATURE - L. T. Levchuk

Estetika : Pіdruchnik / L.T. Levchuk, D.Yu. Kucheryuk, V.I. Panchenko; For zag, ed. L. T. Levchuk. —K-Vyscha shk., 1997. — 399 with ISBN 5-11-004388-4.

The middle of the humanities science is a special way: its focus is on business, and it is actively absorbed in the formation of the popular culture of the old people.

The author ppodruchnika proponuyut svyi look at the history, problems, theoretical and practical value of aesthetic knowledge.

For students of humanitarian specialties of the public schools.

VID AVTORIV

Notebook spellings vikladachi Kiivskogo University іm. Taras Shepherd The modernity of visualization of the meta-theory of mysticism and the importance of the formation of a thorough study of people, impressed upon the artist's culture of society. Actively interconnecting with the field of sciences, science of science and psychology, the aesthetics of creative work of the human folk, the moral and ethereal potential.

In Ukraine, Chibalo is scrupulously crushed and propagandized by aesthetic knowledge. Only in the rest of the year, the main topics were “Esthetics” (K-, 1991), “Basic and Aesthetics” (K., 1993) —the main program is for methodical recommendations for individuals, and the word lists are aesthetic and aesthetic. It is systematic to publish monographs of research, materials of numerous scientific conferences, international congresses of aesthetics and so on. Throughout the day, he worked at a homepage on his home page "Yektika, Aesthetics and Cultural Theory", on the sidelines of his work, on the back of his work, on a creative basis, on a creative basis

Formyuchi Zm_st of the registered pіdruchnika, the author of the author has magnetized as much as possible the theoretical path of the most important data presented by the yak will fold, the bagatomir and the water system of the knowledge system.

The authors vyslovlyuyut shchi podyaku Olegovі Ivanovich Mairaslov and Viktorov Ustinovich Zherditsky for sponsoring the help in the preparation of the manuscript to the druku, as well as ushom, we’d like to take part in the preparation of the manuscript to the druku, as well as take it away, because he would take part in the preparation of the manuscript to the druku, as well as take it away, because he would take part in the preparation of the manuscript to the druku, and also take it away, because he would take part in discussing the procession to the druku, and also take it away, because he would take part in negotiating and making a letter to the friend, as well as accepting him, because he would take part in discussing the script to the friend, as well as accepting him, because he would take part in discussing the text of the manuscript, as well as taking it into account.

Author's writers: L. T. Levchuk (distributed: І, X, XI, XII, and also § 7 of distribution. IX); D. Yu. Kucheryuk (distributed: V, VI, VII, VIII); V.I. Panchenko (passed: II, III, IV, XIII, as well as § 1-6 in Section. IX).



ZMIST


Rozdil І. The subject of science; ІSTORIYA AND THEORI PROBLEMS
§ 1. SUBJECT OF ESTHETICS: THE PROBLEM OF TERMINOLOGY
§ 2. SUBJECT OF ETHETICS: FORMATION OF THE PROBLEMS OF SCIENCE
§ 3. YES SELF-SCIENCE ETHETICS
§ 4. ESTHETICS IN THE STRUCTURES OF INTERMEDIATE SIGNS
Rozdil II. ESTHETICAL DІYALNYST TA їїї FORMI
§ 1. CREATIVE POTENTIAL LYUDSKY PRATSI
§ 2. LYUDINA І SUSPILNY VІDNOSINI YAK OB'ЄKTI AESTHETIC WOMEN
§ 3. NATURE IN THE STRUCTURE OF AESTHETIC WIRELESS
§ 4. DIESEL AND MISTETSTVO NATURAL
Rozdil III. STRUCTURE OF AESTHETIC WEDNESHIP
§ 1. NATURALLY MAIL
§ 2. NATURAL LOSS
§ 3. NATURAL IDEAL
§ 4. EASTERTILE LOOKS AND THEORIES
Rozdil IV. BASIC ESTETICHNI KATEHORII
§ 1. CATEGORY "HARMONY" AND "MIRA"
§ 2. CATEGORY "BEAUTIFUL" and "HOLY"
§ 3. CATEGORY "PEDNESENE", "HEROECHNE", "LOW"
§ 4. CATEGORY “TRAGICHNE” and “KOMICHNE”
§ 5. CATEGORY ARE GREAT
Rozdil V. YES METHATOLOGY MYSTOCTVA ETHETICS
§ 1. METHODOLOGICAL BASES AND ANALYSIS OF MYSTETSTVA
§. 2 VIDOBRAZHUVALNA SUTN_ST MISTETSTVA
§ 3. THE SUBJECT OF I ESTHETIC TRANSFER IN MISTETSTVI. ARTISTIC YAK NATURAL CATEGORY
§ 4. ZIMIST І FORM IN MISTETSTVI: DIALECTION OF A LANGUAGE
§ 4. ZIMIST І FORM IN MISTETSTVI: DIALECTION OF A LANGUAGE
Rozdil VI. ARTISTIC-SHAPED SYSTEM OF MYSTOCTV
§ 1. GENESIS AND NATURE OF ART WAY.
§ 2. CONCEPTS OF IMMEDIATE І "PRINCIPLES" IN ART WAY
§ 3. PRINCIPLE OF ANTI-NOMINANCES OF STUDIES AND ANALYSIS OF AN ARTWORK. ARTWORK MENTALITY
§ 4. ASOCIATIVNI PORIVNYANNYA. METAPHOR. SYMBOL. ALEGORIA
Rozdil VII.MITTESTVO IN THE STRUCTURE OF LYUDSKOE JITTЄDIYALNOSTІ
§ 1. SPOSIB BUTTYA MYSTETSTVA
§ 2. FREEDOM AND DETERMINSM IN MISTETSTVI
§ 3. ISTORIC DYNAMICS OF THE FUNCTION OF MYSTOCTV
§ 4. SPRING OF MYSTOCTV
Rozdil VIII. ETNICHNE, NATIONAL, ZAGALNOLYUDSKY IN MISTETSTVI
Rozdil IX. ІSTORICHNI LAWS OF ARTISTIC DEVELOPMENT
§ 1. ISTORICHNAYA TYPOLOPHYA MYSTOCTVA
§ 2. MYSTETSTO PEOPLE OF PEOPLE
§ 3. MYSTETSTOA OF OLD SOVITU
§ 4. MISTETSTVO MIDDLE
§ 5. MISTETSTVO V_DRODZHENNYA
§ 6, THE BASIC MYSTERIES OF THE NEW WATCH
§ 7. METHOD OF SOCIALISTIC REALIZMU: ISTORIA AND THEORI
Rozdil X. ESTHETICS XX ST.: THEORETICAL POSHUKI
§ 1. PHILOSOPHY OF OTHER HALF OF THE XIX TH CENTURY. THEORETICAL BASIS OF THE NATURAL DEVELOPMENT OF THE XIX CENTURY - THE STAND OF THE XX ST.: THE PROBLEM OF THE SPADICAL HISTORY OF THE GLOVE HATS
§ 2. THEORETICAL AND METHODOLOGICAL HEATING OF NATURAL CONCEPTS OF XX ST.
Rozdil XI. NATURE OF THE XX ST.: MISTETSKAYA PRACTICE
§ 1. ABSOLUTE FORMAL-TECHNICAL POSHUKIV IN MISTETSTVI XX ST.
§ 2. ABSTRAKTSIONZM
§ 3. EXPRESIONIZM
§ 4. SURREALIZM
Rozdil XII. NATURAL POTENTIAL ARTISTIC CREATIVITY
§ 1. ART CREATIVITY: THE PROBLEM OF THE UNDERSTANDING APARAT
§ 2. SPECIFICS OF THE CREATIVE PROCESS IN MYSTETSTVI
§ 3. The development and development of artistic abilities of people
Rozdil XIII. ARTISTIC LIFE