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|the main Other disciplines Aesthetics - Levchuk L.T.|
Aesthetics - Levchuk L.T.
Aesthetics : Pidruchnik / L. T. Levchuk, D. Yu. Kucheryuk, V. І. Panchenko; For Zag, ed. L.T. Levchuk. - K-Vishcha shk., 1997 .-- 399 with ISBN 5-11-004388-4.
In the middle of humanities, the loan aesthetics is more special: you are passionate about bagatovy dosvid, you are actively pouring into the form of sensitive culture of ordinary people.
The author of the handicap will take a look at history, problems, the theoretical and practical significance of aesthetic knowledge.
For students of humanitarian specialties of higher primary mortgages.
The handwriter of the writings by the vikladachy of Kiev University im. Taras Shevchenko and I’m interested in science, theoretical theoretical knowledge and more technical aesthetics, science, I have a good time, I have a great deal of them to learn about Suchasna esthetika vistupa yak metatheory mystestva i viznacha shlya formuvannya thoroughly human chuttєvosti, pouring in on the artistic culture of suspension. Actively interacting with the advanced sciences, secreting beauty and psychology, aesthetics and understanding the creative abilities of people, moral and ethical potential.
In Ukraine, the chimo has been scented for the liberation and propaganda of natural knowledge. Better than the rest of the rookies, they entered the first-hand methodical compendium “Aesthetics” (K-, 1991), “Fundamentals of Aesthetics” (K., 1993) —the primary program and methodological recommendations for students, vocabulary of aesthetics and natural aesthetics. Systematically published monographic reports, materials of numerical science conferences, and international congresses with so many aesthetics. A stretch of ten years in Ukraine was seen among the science-oriented science school “Ethics, Aesthetics and Theory of Culture”;
Formyuchi zmіst reprimanded fellow, the author was magnetized as much as possible the theoretical path of the most ordinary dlіdniki і present the aesthetics of yak folding, bagatomіrn and water time tsilіsnu system knowledge.
Authors hang on to the schirack cod Olegov Ivanovich Mayraslov and Viktor Ustinovich Zherditsky for donating sponsor assistance in the process of preparing the manuscript before a friend, and also we take it upon consideration of the negotiated review.
The author of the hand-gun: L.T. Levchuk (distributions: I, X, XI, XII, and also § 7 at Section IX); D. Yu. Kucheryuk (distribution: V, VI, VII, VIII); B. І. Panchenko (distributions: II, III, IV, XIII, as well as § 1-6 at sections IX).
§ 1. SUBJECT OF AESTHETICS: PROBLEM OF TERMINOLOGIS
§ 2. SUBJECT OF AESTHETICS: THE FORMATION OF THE PROBLEM OF SCIENCE
§ 3. AESTHETICS YAK SELF-STEIN SCIENCE
§ 4. AESTHETICS IN THE STRUCTURE OF THE MIDDLE-SUBJECT ZV'YAZK_V
Rozdil II. AESTHETIC DIALITY TA Ії FORMI
§ 1. CREATIVE POTENTIAL OF THE PEOPLE
§ 2. PERSON I SUSPILNY VIDNOSINI YAK OB'ЄKTI AESTHETIC DIALITY
§ 3. NATURE IN STRUCTURES OF AESTHETIC DIALITY
§ 4. AESTHETIC DIALITY I MISTESTVO
Rozdil III. STRUCTURE OF AESTHETIC Ї SVIDOMOSTI
§ 1. AESTHETIC MORNING
§ 2. AESTHETIC SMAC
§ 3. AESTHETIC IDEAL
§ 4. AESTHETIC VIEW OF THEORY AND THEORY
Rozdil IV. BASIC AESTHETIC CATEGORY
§ 1. CATEGORY Г HARMONY І «MIRA
§ 2. CATEGORY П PERFECT and ПО PERFECT »
§ 3. CATEGORIES “PIDNESENE”, “HEROCHEN”, “LOW”
§ 4. CATEGORY “TRAGIC” and “COMMUNICATION”
§ 5. CATEGORIES AESTHETIC
Rozdil V. AESTHETICS YAK METEORIJA MISTESTVA
§ 1. METHODOLOGICAL BASIS OF ANALYSIS OF THE MISSION
§. 2 VIDOBRAZHUVALNA SUTNIST OF THE MINISTRY
§ 3. SUBJECT I OF AESTHETIC REFORM TO MISSION. ART YAK AESTHETIC CATEGORY
§ 4. ЗМІСТ І FORM IN THE MISCEPTІ: DIALECTICS OF ZV'YAZKU
§ 4. ЗМІСТ І FORM IN THE MISCEPTІ: DIALECTICS OF ZV'YAZKU
Rozdil VI. ARTISTIC SYSTEM OF THE MINISTRY
§ 1. GENESIS I NATURE OF THE ART
§ 2. THE UNDERSTANDING OF INFINITY AND I “PRIVACY” IN ARTISTIC IMAGE
§ 3. THE PRINCIPLE OF ANTINOMICITY OF RECEIVING AND ANALYSIS OF THE ARTISTIC IMAGE.
§ 4. ASOCIATIVNO PORIVNYANNYA. METAPHOR. SYMBOL. ALEGORIYA
Rozdil VII.MISTESTVO IN THE STRUCTURES OF HUMAN LIFE
§ 1. METHOD OF BUTTY OF THE MYSTERY
§ 2. FREEDOM OF I DETERMINISM AT THE MISTESTVI
§ 3. THE HISTORICAL DYNAMICS OF THE FUNCTION OF THE INSTITUTE
§ 4. THE LOCATION OF THE MINISTER
Rozdil VIII. ETHNIC, NATIONAL, ZAGALNOGOLUDSKE AT THE MISTESTVI
Rozdil IX. HISTORICAL LAWS OF ARTISTIC DEVELOPMENT
§ 1. THE HISTORICAL TYPOPYOPE OF THE MINISTRY
§ 2. THE MISTESTO PRE-HISTORICAL PEOPLE
§ 3. THE MISTETS OF THE OLD-OLD SVITU
§ 4. THE MISSION OF THE MIDDLE
§ 5. THE MISTESTVO VIDRODZHENYA
§ 6, THE BASIC MYSTERIES DIRECTLY OF THE NEW HOUR
§ 7. THE METHOD OF SOCIALISTIC REALIZMU: ІSTORIYA I THEORIYA
Rozdil X. AESTHETICS OF THE XXTH CENTURY: THEORETICAL BOWLERS
§ 1. PHILOSOPHY OF THE OTHER HALF OF THE XIX CENTURY.YAK THEORETICAL BASIS OF THE AESTHETICS OF KINTSIA XIX - THE COB OF THE XXTH CENTURY: THE PROBLEM OF DECLINE AND I WRITTEN THE WET SLUT
§ 2. THEORETICAL AND METHODOLOGICAL DECISION OF AESTHETIC CONCEPTS OF XX ST.
Rozdil XI. AESTHETICS OF XX CENTURY: MISTETSKA PRACTICE
§ 1. ABSOLUTIZATION OF FORMAL AND TECHNICAL POSHUKIV AT MISTESTVII XX ST.
§ 2. ABSTRAKTSIONIONISM
§ 3. EXPRESSION_ZM
§ 4. SURREALISM
Rozdil XII. AESTHETIC POTENTIAL ARTISTIC CREATIVITY
§ 1. ARTISTIC CREATIVITY: THE PROBLEM OF UNDERSTANDING APPARATUS
§ 2. SPECIFICITY OF THE CREATIVE PROCESS IN MISTESTVI
§ 3. Formation and development of the artistic health of people
Rozdil XIII. ARTISTIC LIVING OF SUSPILSTVA