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Aesthetics - Levchuk L.T.

AESTHETICS - L. T. Levchuk

Aesthetics : Pidruchnik / L. T. Levchuk, D. Yu. Kucheryuk, V. І. Panchenko; For Zag, ed. L.T. Levchuk. - K-Vishcha shk., 1997 .-- 399 with ISBN 5-11-004388-4.

In the middle of the humanities, the aesthetics of loans is more special than that: flirting around with bagatovy dosvid, won’t be actively absorbed in the form of sensitive cultures of ordinary people.

The author of the handicap will take a look at history, problems, the theoretical and practical significance of aesthetic knowledge.

For students of humanitarian specialties of higher primary mortgages.

VID AUTORIV

The handwriter of the writings by the vikladachy of the Kiev University im. Taras Shevchenko and I’m interested in science, theoretical theoretical knowledge and more detailed studies of aesthetics - science, I have a good time, I have a great deal of them to learn about Suchasna esthetika vistupa yak metatheory mystestva i viznacha shlya formuvannya thoroughly human chuttєvosti, pouring in on the artistic culture of suspension. Actively interacting with the advanced sciences, securing beauty and psychology, aesthetics and understanding the creative abilities of people, moral and ethical potential.

In Ukraine, the chimo has been scented for the liberation and propaganda of natural knowledge. Better than the rest of the rookies, they entered into the first-hand methodical compilation “Aesthetics” (K-, 1991), “Fundamentals of Aesthetics” (K., 1993) —the primary program and methodological recommendations for students, vocabulary of aesthetics and natural aesthetics. Systematically published monographic reports, materials of numerical science conferences, and international congresses with skinny esthetics. A stretch of ten years in Ukraine was seen among the science-oriented science school “Ethics, Aesthetics and Theory of Culture”, on the sidelines of a kind of science and technology, there were a lot of perspectives on Ukrainian science and a great deal of science.

Formyuchi zmіst reprimanded fellow, the author was magnetized as much as possible the theoretical way of the most ordinary dlіdnikov і present the aesthetics of yak folding, bagatomіrn and water time tsilіsnu system knowledge.

Authors hang on to the schirack dodge Olegov Ivanovich Mayraslov and Viktor Ustinovich Zherditsky for donating sponsor assistance in the process of preparing the manuscript before a friend, and also we take part in negotiating a review.

The author of the hand-gun: L.T. Levchuk (distributions: I, X, XI, XII, and also § 7 at Section IX); D. Yu. Kucheryuk (distribution: V, VI, VII, VIII); B. І. Panchenko (distributions: II, III, IV, XIII, as well as § 1-6 at sections IX).



ЗМІСТ


Rozdil I. SUBJECT OF AESTHETICS; ІSTORIYA I THEORIA PROBLEMS
§ 1. SUBJECT OF AESTHETICS: PROBLEM OF TERMINOLOGIS
§ 2. SUBJECT OF AESTHETICS: THE FORMATION OF THE PROBLEM OF SCIENCE
§ 3. AESTHETICS YAK SELF-STEIN SCIENCE
§ 4. AESTHETICS IN THE STRUCTURE OF THE MIDDLE-SUBJECT ZV'YAZK_V
Rozdil II. AESTHETIC DIALITY TA Ії FORMI
§ 1. CREATIVE POTENTIAL OF THE PEOPLE
§ 2. PERSON I SUSPILNY VIDNOSINI YAK OB'ЄKTI AESTHETIC DIALITY
§ 3. NATURE IN THE STRUCTURES OF AESTHETIC DIALITY
§ 4. AESTHETIC DIALITY I MISTESTVO
Rozdil III. STRUCTURE OF AESTHETIC Ї SVIDOMOSTI
§ 1. AESTHETIC MORNING
§ 2. AESTHETIC SMAC
§ 3. AESTHETIC IDEAL
§ 4. AESTHETIC VIEW OF THEORY AND THEORY
Rozdil IV. BASIC AESTHETIC CATEGORY
§ 1. CATEGORY Г HARMONY І «MIRA
§ 2. CATEGORY П PERFECT and ПО PERFECT »
§ 3. CATEGORIES “PIDNESENE”, “HEROCHEN”, “LOW”
§ 4. CATEGORIES “TRAGIC” and “COMMUNICATION”
§ 5. CATEGORIES AESTHETIC
Rozdil V. AESTHETICS YAK METEETORIA MISTESTVA
§ 1. METHODOLOGICAL BASIS OF ANALYSIS OF THE MISSION
§. 2 VIDOBRAZHUVALNA SUTNIST OF THE MINISTRY
§ 3. SUBJECT I AESTHETIC REFORMED TO MISTESTVI. ART YAK AESTHETIC CATEGORY
§ 4. ЗМІСТ І FORM IN THE MISCEPTІ: DIALECTICS OF ZV'YAZKU
§ 4. ЗМІСТ І FORM IN THE MISCEPTІ: DIALECTICS OF ZV'YAZKU
Rozdil VI. ARTISTIC SYSTEM OF THE MINISTRY
§ 1. GENESIS I NATURE OF THE ART
§ 2. UNDERSTAND THE INFINITY AND I “PRIVACY” IN AN ARTISTIC IMAGE
§ 3. PRINCIPLE OF ANTINOMICITY OF RECEIVING AND ANALYSIS OF ARTISTIC IMAGE.
§ 4. ASOCIATIVNO PORIVNYANNYA. METAPHOR. SYMBOL. ALEGORIYA
Rozdil VII.MISTESTVO IN THE STRUCTURES OF HUMAN LIFE
§ 1. METHOD OF BUTTY OF THE MYSTERY
§ 2. FREEDOM OF I DETERMINISM AT THE MISTESTVI
§ 3. THE HISTORICAL DYNAMICS OF THE FUNCTION OF THE MYSTERY
§ 4. THE LOCATION OF THE MINISTER
Rozdil VIII. ETHNIC, NATIONAL, ZAGALNOGOLUDSKE AT THE MISTESTVI
Rozdil IX. HISTORICAL LAWS OF ARTISTIC DEVELOPMENT
§ 1. THE HISTORICAL TYPOPYOPE OF THE MINISTRY
§ 2. THE MISTESTO PRE-HISTORICAL PEOPLE
§ 3. THE MISTETS ​​OF THE OLD-OLD SVITU
§ 4. THE MISSION OF THE MIDDLE
§ 5. THE MISTESTVO VIDRODZHENYA
§ 6, THE BASIC DOGS DIRECTLY OF THE NEW HOUR
§ 7. THE METHOD OF SOCIALISTIC REALIZMU: ІSTORII I THEORII
Rozdil X. AESTHETICS OF THE XXTH CENTURY: THEORETICAL BOWLERS
§ 1. PHILOSOPHY OF THE OTHER HALF OF THE XIX CENTURY.YAK THEORETICAL BASIS OF THE AESTHETICS OF KINTSIA XIX - THE COB OF THE XXTH CENTURY: THE PROBLEM OF DECLINE AND I WRITTEN THE WET SLUT
§ 2. THEORETICAL AND METHODOLOGICAL DECISION OF THE AESTHETIC CONCEPT OF XX ST.
Rozdil XI. AESTHETICS OF XX CENTURY: MISTETSKA PRACTICE
§ 1. ABSOLUTIZATION OF FORMAL AND TECHNICAL POSHUKIV AT MISTESTVII XX ST.
§ 2. ABSTRACTSIONISM
§ 3. EXPRESSION_ZM
§ 4. SURREALISM
Rozdil XII. AESTHETIC POTENTIAL ARTISTIC CREATIVITY
§ 1. ARTISTIC CREATIVITY: THE PROBLEM OF UNDERSTANDING APPARATUS
§ 2. SPECIFICITY OF THE CREATIVE PROCESS IN MISTESTVI
§ 3. Formation and development of the artistic health of people
Rozdil XIII. ART LIVING OF SUSPILSTVO