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Українська та зарубіжна Culture - Вечірко Р. М.
Arhitekturne vtilenya nouveau
The architecture of modernity was joking єдності конструктиних та художніх засада, зачатковувала вільне, functііонально обґрунтоване планування, застосовувала каркасні конструкції, різноманітні будівельні та одобдоблювальні матеріали (rock climbing, slope, metal forging, stone puncture, plywood, etc.). Вільно розміщейчи in spaciousness sporudi with riznomannitno decorated facades, arhitektory modernity, protivometrії those regular norms містобудування. Velychezni mozlovisty formutvorennya, nadanі novoyu tehnikoyu, stinked for strenennya pidkreslena іndivіdualizovanno figurative budov, sporudi, Ії constructive elements nabuli decorative and symbolic-figurative osmislennia. The order of the pragnenians to the unearthly picturesque effects, the dynamism of the ruchoi plasticity, the analogy of the architectural forms of organic natural phenomena (the Bouodis A. Gaudis in Spain, V. Orta and H. K. Van de Velde in Belgium, and F. Shekhtel in Russia) Th razіonalistichna tendentsiya, zheleznnya up to the geometric regularity of the great, spokiynyh ploschin, to suvorostі, and to navigate puritanism (a number of disputes J. Hofmann, J. Olbrich in Austria). Actik architektory cobble of the twentieth century. Pravnuli vijaviti frame structure of budivel, pidkresli tectoniku massa ob'єmіv (P. Behrens at Nimecchini, O. ta G. Perre in France).
The main way in which the visual is in style is modernity, an ornament is not less prikrashaє vitvir, but the form of a yogo compositional structure. In the architects of belgian architects, vitonichnyi lіnіynі pletіnnya, rukhomі roslinnіі vіserunki sisipanі po stinakh, pіdlozі ta stelі. Concentrate in the world, stay, rest stumble upon the archetekturny ploschiny, actively idle. Uncomprehended, decorated, decorated with violence, decorate the spirit and emotion that symbolic meaning, poedejdochi is more formative, abstract, with unintelligence, spiritualizing in materialization.
In the works of the Mayrs of the great modernist period, J. Hofmann and J. Olbrich, the Scots group of four on the ch. R. R. McIntosh, the ornate geometric ornament of the motif of the square of the square. Nezvazhayuchi on golovanu vidmu vіd nalіduvannya іstorichnikh stilіv, artists nouveau vikoristovuvali lіnіynu Budowu japonskoy gravity, stilizovanni roslinnі vizeryunki гейgejskogo mestetstva ta gothic, elementi decorative composit barocco, rococo, ampiru.
Ornament of modern, but in the usual forms of the mystery structurally organizes a flat that is the rhythm of the yogo pieces, formed in the count. The lithograph and the mystery of the book were honored in the course of the periode of the most important peaks of the provinces of the provinces of modernity: the English O. Bordeli, the late T. Heine, the Swiss F. Wallton, the posters of the Frenchman A. Toulouse-Lautrec, the Czech A. Mucha, the Austrian K. Moser.
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