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Aesthetics - Levchuk L.T.

§ 4. AESTHETICS IN THE STRUCTURE OF THE MIDDLE-SUBJECT ZV'YAZK_V

The problem is the role, role and specificity of aesthetics in the structure of intermediate subject matter since last and folding history. In the foregoing paragraphs, the role of philosophical knowledge of science was described, and it’s reunited the entire sphere of human knowledge. The aesthetics of tej bulo are included up to the subject of philosophy, and later, the main ideas were developed within the boundaries of the philosophical knowledge. Interconnected aesthetics and philosophies having laid the foundation for the theoretical principle and the scientific method of aesthetics to fall into place. svitoglyadnyh positsіy, methodology, philosophical conception of a particular philosopher or a singing philosophical straight. Such deposits didn’t only catch up with quiet theorists, as they went over to aesthetic problems, they came up with the most philosophical concepts (Plato, Aristotle, Kant, Hegel), but they quietly, but more often, ) The methodology of aesthetic reach is that it is seamlessly tied to the head feed of the philosophical philosophy — the idea of ​​getting to the bottom of the bottle, enriched by the specificity of the dialectical chic metaphysical approach. The very self of methodological foundations is to recognize the self-esthetic of natural concepts. From now on, winnings and flowers of aesthetic ideas were doubled between the philosophies and beaten by the head with such super-expressiveness, as the bullets of the power of the philosophical thought.

At the end of the current philosophical currents, straightforward, school the form of the subject of aesthetics took place, the main categories and understand. Having become famous as a part of philosophies, aesthetics through the idea of ​​kalokagatii actively played music. Vidrodzhennyaya intensively theoretically vikoristannya kalokagativnogo principle in the minds of the hitherto present, the development of aesthetic science is far from the only butt of dotsilnosti interconnected aesthetics of ethics. In these sciences, it is irrelevant to hide in lyudin as if it were your own moral and aesthetic analysis and creative potential. Happily, for example, XX century. The value of science involves anthropocentric tendencies and a rosemary role and a value of real people in the share of civilization. Alychim is the greatest knowledge of people, Tim dotsіlnіshim є posuk shlyakhіv її humanity.

A unique aspect of the interaction of aesthetics and ethics is the analysis of the structure of aesthetic respect, as well as the formation of an organic identity and the call of internal and external respect for people. The form of zovnіshnіh pochuttіv - zora, rumor, dotik - is the result of a trivial biologic evolyutsії suite. Internal respectfulness (love, hatred, friendship, collectivism) —almost respectful of moral and ethical nature, which are characteristic of the singing spirit of the old age and culture. Aesthetically more respectful, like a folding alloy of the best and the inner, carry in themselves a moral and ethical navigation.

Especially the role of ethics vidigra in the analysis of artistic activity, the mystery of the warehouse part of the subject of aesthetics. The skin is concrete, the idea of ​​the perfect singing world of the mystery of the country, the natural care of the people of the historical age of the church. I want to thoroughly put and examine the nutrition of the professional ethics of the mitzvah, the moral morality for the extravagance of creative creativity. Adje, “fragments of morality are a supernaturally important element of human activity, the very activity of people in the presence of different nature and specificity cannot but impose a logic on the specific nature of moral regulation. I understand the environment, see the people’s activities, I’m especially interested in hanging up the moral moral requirements, and I will take care of them * 7.

Profesional etics and norms of professional interactions between the traditional warehouse part of ethical science. Schopravda, having voted with confidence to timid, as a rule, in the profession of a doctor, teacher, lawyer. Chi any profession vimaga specific professional etics? Shchodo profesії mittsya, then here you can get buttilki positive. The folding, super-quick process of developing mysticism in historical and historical periods, the artistic servicing of the ideological ideological ideals, the fate of specific mystical strains in the art of moral abuse, and their serious impossibility to deal with

“Professionals have to formulate a system of specific moral standards with super practical rules, provide“ service ”for those who have a clue of human activity, and“ have a right to have a better clause in order to have a better time for themselves. not so much as an object of outrage, but as it is of people, so much to be on the road, more, more and more merciful. ”8. I have a great deal of visibility, so that you can be audited before you can be audited self-prostuvan I Vlasna tvorіv povinnі, prinaymnі morally osudzhuvatisya suspіlstvom.

Significantly moral and ethical navantazhenenya carry in themselves the problem of creativity, professional sanctification, the achievement of the mitzvah. Adje so bullshit, and so now, schto mitsі form in specific creative ministers, creative laboratories vіdomih mittsіv. Kozhen is a scholar, I accept that I have a fast-working artistic principle of the reader, I carry the model in my own way. Ethics є winner ’student’ study will require vivchenennya, scribble and viroblennya svёrіdnogo "code of honor".

Ethical problems of art creativity direct our respect for the interaction of aesthetics and psychology. Theoretical interests of these sciences є the most important things are the power, the nature and the specificities of the natural esteem, the process of creativity, the development of artistic charisma, talent, genality. Aesthetics and psychology intersect with vivchennі specificity sprimany artist artwork.

7 Ethics. K., 1992.S. 316.

8 Ibid. C 317.

We’ll need to review the relationship between aesthetics and mysticism - the basis of science, the same social and aesthetic day of mystery, the same age, the rule of law, the special nature of the work of art. Nowadays, mystical exaltation focuses on respect for attained mysteries in the context of spiritual culture. The structure of mysticism is folding, characterized by a complex nature, like a backyard and a part. As a system of knowledge about okremі see the mystery, it’s very easy to learn literary knowledge, theater knowledge, and film knowledge skinny. The skin of these spheres of knowledge is very self-contained, and that water hour enter as a part of the warehouse to the inflow structure. In short, the mystical exaltation ук succulent three parts — historical mysteries, theoretical mysteries and art criticisms. Aesthetics and the like are ignorant of the theory of mystery and the whole aspect of which is intersected by the interests of aesthetics and mysticism, as well as by one’s own hometown, theoretically related to non-masculine scientific disciplines, methodologically significant In the whole plan, especially significant є, for example, the psychology of art creativity, the sociology of mystery, cultural studies, the history of skinny.

The problem of the interaction of aesthetics and mysticism is easy to complete, superlative and vivid; the ambiguity of the assessment of the role and role of the subject in aesthetics. The rosary of the subject of aesthetics was the theory of mystery, the power for singing and historical periods to develop the knowledge of aesthetics did not only explain the subject of aesthetics, it brought to the forefront of science, but not all of them have been taught people history, not overshooting one one? Doesn’t it mean that it’s stinky to have such a specificity, how can I think about it? Is it necessary to explain these two sciences and what is incompetent?

More ancient mofologia zafіksuvala mystery as a specific dіyalnіst people. Zgadaymo wants a widespread viddomy myth about Apollo, such as museums: Melpomena - tragedy, Uterpa - lyric poetry, Etorio - love poetry, Terpsyhoro - a little bit of poetry, , Polygnim - gimniv.

The mythological image of Apollo proyshov folding the hat for the development and additional assistance to us is now in view of the advancing process of understanding the specifics of the natural dyalnosti, the sound of beauty. Myth to be honest, to Apollo, the synonym of Zeus and Leto, brother Artemidi, burying his homeland of sorrow and misery. Pіznіshe yogo felt the need to reappear with Gelio-som - god Sontsya. In honor of Apollo, the Greeks were temples (on the island of Delos and Delphi). The churches of Mali are of zagalnogretsk value. Step by step behind Apollo (becoming the god of music), cultural creativity, culture and func-

While reconstructing the theoretical history of problems and related aesthetics and mysticism, then we can see the point of view of the dawn of Johann Winkelmann (1717–1768 pp.) And Wilhelm Humboldt (1767–1835 pp.). I represent the 18th and 19th century aesthetically mysterious school, they stoned to awaken the interest to the classic mystery, talked about the need for the latest theory and literary criticism. On the sidelines of fundamental dosljennya I. Winckelman's “History of the Old Age” (1763 p.) Is no more analyzed and systematized by the history of the ancient mystery, and the first is to give a theoretical interpretation of the fact that there is a need to formulate this. On the application of the analysis of the steps to the development of the ancient mysticism - archaic, fallen (Fіdіy, Skopas), beautiful (Praxitel) and eclectic - Vіnkelman, on the day, viyshov to the new rim of the conception of the tragic, natural, dramatic.

Vidshtovhuyuchis vіd positsіі Vіnkelman і polemіzuyuchi him, a prominent Nimetsky aesthetics XVIII century. Gotthold-Efraim Lessing (1729–1781 pp.) Zmіg reach quiet reference, theoretical visions, some of the ruling powers of Laocoon (1766 p.) And Gamburzka dramaturgy (1767 p.).

Right up to the position of V. Humboldt, then he’s looking at creative Goethe and Schiller’s tricks for him to make it possible to analyze the specifics of the mysterious ideal (the historical phenomenon is concrete and national).

Farther away are the problems of the aesthetic specifics of the mystery born with such prays of the great English philosopher and aesthetist Bernard Bozanket (1848–1923 pp.): “History of aesthetics” (1892 p.), “Principles of aesthetics” (19). Indivisibility and Value "(1911 p.)," Consistency and the share of indivium "(1912 p.). Hegel’s last servant, Bozanket, having examined the mystery of the hats until the celebration of the holy harmony. When there was a win, I’ve got a much wider understanding, lower prices are generally accepted in the history of aesthetics, and there is a lot of harmony. Look, at the Bozanket’s thought, with the heart of “absolute reality” - solidarity, a lot of space and an hour of rose — unity of objects and appearances. It’s a mystery to get to know people, who are on the same natural tail, with “absolute reality” as we can see. Having voted "Divine Comedy" by Dante with the standard of mystery, Bozanket, by the day, having compiled aesthetics as a science, which is open and intrinsic to the functional specificity of the mystery. Especially “aesthetically” navantazhennaya maє, at the Bozanket’s dummy, is a recognized function. English theorist on the cob of XX century Having hoped you should know the new arguments for the Hegelian idea of ​​esthetics of the subject of mystery, and the first call of aesthetics, mysticism with logic, with rational shutters before the meeting.

The problem of mutual aesthetics and mysticism has repeatedly attracted the respect of prosperous ones. So, viddomiy Nimetsky esthetics Max Dessuar (1867-1947 pp.) Readily and permanently vidokremlyuvav having a non-genetically problematic vid of mysticism. Yak in theoretical statements “Aesthetics and the ignorance of mysticism” (1906 p.), “Systematics and history of mystery” (1914 p.), As well as in the organization of historical scholarship in Europe. From the abstract about the ordering of the realm of the artistic realm of the aesthetic (as much as possible). Нуюsnuyuchi autonomously, mystical exaltation as the sphere of artistically guilty faith in the possibilities of aesthetics - the sphere of aesthetics. During the water hour, Dessoire has been reckoned with the desire to reinforce the mystical exaltation of the philosophical mystery, even leaving, for the sake of words, the ruin of the “theoretical purity” of the science of mystery.

The praxes of Dessoir have the present understanding of “aesthetically-myoethetical” (pidhid, analiz і t. Іn.), However, the setting of the foundation for aesthetics as the basis of aesthetics is negatively negative, even philosophical, movlyat, “downplay.” Rozmirkovuyuchi over the problem of aesthetics in the structure of inter-subjective sounds, Dessar orthogonal to aesthetics for the call of sounds from ethnology, history, psychology.

By means of knowing new hats, near esthetics and mysticism, positions of the most famous and most influential French aesthetics of the 20th century are designated. Etina Suryo (1892-1979 pp.). Next to ZO — 50th rock — Maybutn Aesthetics (1929 p.), And The Spiritual Mystery. The elements of real esthetics ”(1947 p.) - Suryo wanted to see the TV mystery as becoming a new reality, and see the mystery became apparent to him through the specificity of sensitive and semantic elements - qualify (vid, lat. Qualia -. Itself through zabobi issued kvalіy, and with them you can get sound, color, light, word, ruh, maybe self-fulfilling "cosmos" - an artistic twir, original designations, originality, author's bachenyum.

The problem of the mutual aesthetics and mysticism of milking up was actively addressed by the representatives of the Marxist aesthetics (Yu. Borєv, A. Єremєєv, A. Zis).

Vivchennyya a subject of aesthetics with the insights of a wide range of problems of mystic exultation of a bulo and to get lost in the regular development of aesthetic science with a folding and disputed problem. The ambiguity of the assessment of the role and mystery of the structure of the subject of aesthetics, the superlativeness of the oath and the specifics of the aesthetic and artistic sphere resulted in simplification, and then the vulgarization of esthetics is approved. The other half of the XIX century. Vidomy French ethnographer and anthropologist S. Leturno, having magnetized obgruntuvati so called "aesthetic paleontology". Introductory book of reconnaissance, scho tilka anthropology is a great opportunity to learn about the internal aesthetics and mysteries.

Especially plіdnim shodo vyavlenlennya new; the possibilities of aesthetic science through intermediate subject languages ​​can be respected in the 20th century, they stretched out and promoted to develop aesthetics (L. Wittgenstein, W. Galli, R. Wallheim), contextualist (D. Dewot, St. Pepper P. Bogatiryov, R. Jacobson, G. Shpet), semantic (E. Kassirer, B. Croce, M. Benze), hermeneutic (M. Heidegger, G. Gadamer) that іn. It is specific to the field of becoming a kind of aesthetic knowledge, such as integrating a classic aesthetics with the attainment of natural and technical sciences (virological aesthetics, technical, environmental).

From now on, in the minds of today, as early as possible, try to try to absorb and isolate between the subject of a natural science. It is connected with the dynamics of aesthetics, with the dominion of the third permanent creation of the subject, with significant internal creative potentials, depriving a part of them which were “stolen up” at a glance.

Slіd pіdkresliti, scho kіnets XX century. activating theoretical theoretical knowledge of an adequate understanding of the subject matter and science of science. Naibіlsh plіdnoy point zora є, to our thought, the value of the subject of aesthetics through understanding harmony and rosumnogo science of yak science about the realization of the principles of harmonious development of people, people and people, nature. Tsіkavim є і і ​​і visualization of aesthetics in the field of science about empowerment, self-sustaining development of human forces and health at the highest level of professional proficiency.