CULTUROLOGY - Gritsenko TB

6.4 Renaissance architecture іtalіyskogo

The founder of Renaissance arhіtekturi Rann traditsієyu vvazhaєtsya Fіlіppo Brunelleskі scho pratsyuvav in Florentsії in pershіy polovinі XV century. Vіn CCB Creator svіtskoї for arhіtekturi spirit. Elements of the ancient orders in tsogo Maistrov pereosmislenі in new ways, in peretvorenі privablivu dekoratsіyu. Nayharakternіshі yogo budіvlі - Chapel Patstsі s easy portico Vihovny Dim i have Florentsії.

Naprikіntsі 60s - on cob 70 pF. XV century. arhіtektorom Fіlіppo Brunelleskі CCB Institution slavnozvіsny dome of the cathedral of Santa Marija del Fiore. Tsey dome scho urochisto visochit over mіstom on vіki viznachiv silhouette Florentsії. Tsogo arhіtektora vvazhayut author of a new style, oskіlki vіn leaning vivіv warrant sporudi facade. W Antique warrant vіn povіvsya tsіlkom vіlno, znayshov in nomu novі mozhlivostі for virazhennya new zmіstu. Brunelleskі Nadzvychaina sytuatsia gliboko entered in sutnіst antichnoї ordernoї arhіtekturi that її hudozhnі mozhlivostі.

Etap have the following vazhlivy rozvitku novoї renesansnoї arhіtekturi pov'yazany s іmenem Leon Battіsta Albertі. Tsey mitets CCB pristrasnim shanuvalnikom antichnostі, pragnuv not tіlki vіdroditi antique style, ale th perevershiti drevnіh. Cutaneous yogo sporuda - smіlivy eksperiment yak at sferі tipologії budіvlі, so i have CREATIVE osmislennі arhіtekturnoї MTIE antichnostі have stvorennі on її osnovі novih priyomіv hudozhnoї viraznostі. Naybіlsh yaskrave innovations in tvorchostі Yogo, yak little velikі naslіdki - zastosuvannya warrant access in all tiers troh traditsіynogo facade florentіyskogo palazzo, scho hour before vtrativ serednovіchnu nedostupnіst * 37.

* 37: {Detalnіshe divas O.B.Lisichkina .: World Art: Renaissance. Proc. manual for high school. - Part II. - KH. 2. - SPb .: SpetsLit, 2000. - S. 170.}

Albertі Vpershe zaproponuvav for the facade of the church (in dvoh varіantah) antique motif trіumfalnoї arches, yaky LUVs Zgoda vikoristany in nayrіznomanіtnіshih contexts.

On the cob of the XVI century. Center arhіtekturi peremіstivsya to Rome - stolyci papskoї powers. Here pratsyuvav vidatny arhіtektor temple Renaissance Donato Bramante. In order Rimі i yogo rіznі spoluchennya Zi stіnoyu she arches vіrtuozno vikoristovuvavsya CIM arhіtektorom to characterize the expanse of space. Tse viyavilosya in kompozitsії velicheznogo yard gazebo, scho spadaє troma Terrace Vatikanskogo to court. Pragnuchi dosyagti Sotho rimskoї velichі, Bramante spoluchiv here RISS antichnoї vіlli, theater th Forum. Belvedere becoming the butt viklyuchno vinahіdlivogo spoluchennya stіni, warrant th arcades.

In the following perіod rozvitku renesansnoї arhіtekturi pov'yazany іz Venetsієyu. Nayvidatnіshimi arhіtektorami scho pratsyuvali here on the cob of the XVI century., Boules Palladіo i Sansovіno.

It becomes critical for arhіtekturi Pіznogo Renaissance small zvedy in Rimі Tserkva Іl Gesu, zasnovana at 1568 p. for project arhіtektora Vіnoyoli. Pіslya yogo smertі kerіvnitstvo budіvelnimi robots pereyshlo to Giacomo della Porta. Vіn rozvinuv іdeї poperednika Svoge. Pobudovu Church, scho was the bunt vognischem єzuїtskogo order, zakіncheno at 1584 p. Innovation tsієї sporudi viyavlyaєtsya, in Perche Cherga in її new stavlennі otochennye to have new zadumі arhіtekturnogo ensemble. Tserkva roztashovana not vіdokremleno od otochennye and tіsno prilyagaє to obshirnoї sporudi єzuїtskoї kolegії, vklyuchayuchis to її zagalnogo an array. One bіchnih stіn s Church - easy th Suvorov obmezhena vuzkim provulkom; HEAD same church facade on vihodit kut nevelikoї ploschі, vnaslіdok chogo main points of the facade of the Zora (vklyuchayuchi th dome) vіdkrivaєtsya not front and s Kuta. So target phone reception budіvlі s otochuyuchim spaciousness, vrazhennya bezperervnogo Ruhu, scho mill types for arhіtekturi Baroque.