Culturology - Gritsenko TB

Represii. Friend of St.Viina

30-ті рр. Steel folding hour Viprobulan for the Ukrainian people. For an hour in the Radyansky Soyuz Bulo, the Stalinist totalitarian regime was established.

The process of the embrace of Ukrainian culture, which is busted off in the 20's, is a pity, it is too early for breaks.

Під загрозою репресій у різний час деякі митці та вчені виїжжають за кордон (Olesya, V.Vinnichenko, Є.Malanyuk, Yu.Klen, O.Teliga, O. Olzhych, O. Koshits, D.Antonovich, D.Chizhevskiy ta Ін.) Та своєю діяльністю сприяють посиленню інтересу світової громадськості до української культури.

30-і рр. - tse chas masovikh repressions at serovodische Іnteligentsii. In all fabricated on the right, judging was not yakihos evil and counterrevolutionaries, and інelektualnu, creatively active part of the Ukrainian people. Sustained spiritually and ideological monopolism was formed in the Syspolism, and all kinds of culture were pushed against the ideological clamp. For the rule of the Stalina, the de-telelektualizatsiya ta dehumanizatsiya syspil'stva, the victims of represen- tations, became the spiritual elite of the krai-vcheni, university students, students, mitsi (S.fremov, M.Staryts'ka-Chernyakhivska, M.Zerov, M.Kulish, L.Kurbas, M.Irchan, Ostap Vishnya, Z.Tulub, B.Antonenko-Davidovich, I.Kulik, I.Mikitenko, V.Pidmogilny, Є.Pyuzhnik, V.Polishchuk, O.Slisarenko, M.Boichuk, J.Mihailiv, I .Padalka, V. Sedlyar and іnshі).

Recognized the transfer of the priesthood. In the 30's. Укорінилася думка про ворожість релігії. It was an important part of the world, in the midst of the znannenya of the classifications of values ​​and class suspylism, which gave birth to. Priests and ents were hanging, adding to the rights of the Gromadyans, and the cults of sorrows were ruining themselves and passed to the consumers. At the end of the struggle for reformation and the church boule, the number of cultural memories is great: the icons of old books, the speeches of the church vest, the middle of them Mikhailovsky Gold Cathedral (ХІІ century), the church of the Virgin of Pirogoschi (ХІІ century), and інші sporudi.

Нещадних переслідувань в Україні зазнали Російська православна та греко-католицька церкви, а парафії УАПЦ були ліквідовані та підпорядковані московському патріархату. Vsogo in the 30's. In ukraine bula pripinena dіyalnість near 80 відсотків of the church.

In the 30's. Bula kororonenі tvorichna znachennosti kіlkostі prerevolyutsіynikh vci таa ta miettsіv demoticheskogo strained, and takozh create repressovanyh writing (M.Dragomanova, B.Grinchenka, M.Kostomarov, M.Maksimovich, P.Kulisha, V.Vinnichenka, M.Grushevsky, M.Kulisha, M.Zerov, G.Kosinki, M.Irchana, L.Staritsky-Chernyakhvsky and the others).

Another svitova vinyna became a serious viprobuvannyam for our people. Військові події took mіljonі people's zhіttіv, buli zyneschenі tsіnnі pamyatki kul'turi, igrаbоbіnі tіnіnі ta privatnі kolektsії. Тисячі музених експонатів були вивезені за кордон і не повернуті після закінчення війни.

Діячі української культури всі сили присвячували боротьбі з ворогом. In evacuation, pratsyuvati vishchy navčal'nye zaklady, Institute of the Academy of Sciences of Ukraine, creative spinks were sold. At the writing center, the patriotic themes ("The Word about the ritmoon" by M. Rilsky, "The Oath" by M. Bazhan, "Love Ukraine" by V.Sosyuri, "Spring", P. Tichini's "Voice of Mother", "Ukraine in the Fire," " "Ніч перед боєм" O. Dovzhenka, "Yaroslav Mudriy" І.Kochergi, "Zenitka" Ostap Vishny).

The themes of heroic and patriotic themes were taken over from the creative arts of the Ukrainian theater, and in the evacuation they put the pianos of O. Kornyichuk, I. Kochergi, L. Leonova, K. Simonov, performed with concerts and visavi before the biytsyi vіys'kovyi parton on the front and in the tilt.

Українські кінематографісти на час Війни працюють over the tree - lines of hronikalno-documentary and those artistic fіlmіv ("The Battle for Our Radiansku Ukraina", directed by O. Dovzhenko, "Як гартувалася сталь", "Райдуга", directed by M.Donskoy).

Pislya peremogi u viny in sushpilstvii z'yavilsya nadiya on democratization zhittya, otverdzhennya povagi to osobistostі, її humane those polichnichnyh rights and freedoms. Natomist vlada namagalasya zmіtsniti totalіtarnyi regimes. Buli re-repressed people, yakі vzheyshli z mіsts pozavlennya volі, vіys'kovі, scho have spent up to nimetskogo polona.

In the first place, the ten-word trivav ideological dictates of the tisk on the Mitsts. The theme of the day was filled with domesticity, or the accent was fumbling at a possible, final stage of the story, the cause of the wounds and heavy losses at the literary creations were not visually impaired. Після смерті Й.Сталіна a number of writers have slandered to show noconflictivity, tendentiousness of identity, initiative, processes in the litera- ture of mysticism.

Trivalo administristrivne vtruchannia in the field of artistic creativity. In 1946-1948, Take the decision of the Central Committee of the CPSU (B) "About the journalist Zvezda" and "Leningrad", "About the film Velika zhittya", "About the opera" Great friendship "V. Muradeli" that, but roughly and incompetently vtutchalisya in the creative process, not They filled the space for freedom of creativity. At the first stages of the rock, the bulo has been uncritically criticized and zinned in the bourgeois national science of "Short Course of History of Ukraine", "Naris of Ukraine", create M. Rylsky, V. Sosyuri, M. Bazhan, Y. Smolich, K. Dankevich.